22" Eşsiz Medium Thin Ride
Part of the signature Eşsiz line, designed by Corey Foster, this 22” ride cymbal has a gorgeous wash, low fundamental tone, and strong stick articulation. It was designed to be a primary ride cymbal in a small jazz ensemble setting. This cymbal crashes beautifully and is articulate enough for big band settings. The small bell size(hi-bell) helps to create a focused tone when playing on the shoulder of the cymbal - increasing the playing surface area.
The hybrid lathing design of this cymbal has multiple functions: Partial lathing (raw-gold lathing) was used from the center of the cymbal to just above the shoulder in order to control high frequencies, and to provide a slightly thicker area of the shoulder to provide greater stick articulation. Wide and shallow lathing was used on the fully lathed portion of the cymbal to produce a balanced wash. There is a slight taper toward the edge of the cymbal. Playing on the fully lathed portion of the shoulder area will produce a beautiful wash and clear attack, while playing on the partially lathed portion of the shoulder will produce a noticeably stronger stick articulation and a more controlled wash.
Ideal for all genres, especially modern jazz, funk, soul, and world genres.
Great ride to turn into a sizzle. Contact if you are interested in ordering this cymbals with rivets.
Part of the signature Eşsiz line, designed by Corey Foster, this 22” ride cymbal has a gorgeous wash, low fundamental tone, and strong stick articulation. It was designed to be a primary ride cymbal in a small jazz ensemble setting. This cymbal crashes beautifully and is articulate enough for big band settings. The small bell size(hi-bell) helps to create a focused tone when playing on the shoulder of the cymbal - increasing the playing surface area.
The hybrid lathing design of this cymbal has multiple functions: Partial lathing (raw-gold lathing) was used from the center of the cymbal to just above the shoulder in order to control high frequencies, and to provide a slightly thicker area of the shoulder to provide greater stick articulation. Wide and shallow lathing was used on the fully lathed portion of the cymbal to produce a balanced wash. There is a slight taper toward the edge of the cymbal. Playing on the fully lathed portion of the shoulder area will produce a beautiful wash and clear attack, while playing on the partially lathed portion of the shoulder will produce a noticeably stronger stick articulation and a more controlled wash.
Ideal for all genres, especially modern jazz, funk, soul, and world genres.
Great ride to turn into a sizzle. Contact if you are interested in ordering this cymbals with rivets.
Part of the signature Eşsiz line, designed by Corey Foster, this 22” ride cymbal has a gorgeous wash, low fundamental tone, and strong stick articulation. It was designed to be a primary ride cymbal in a small jazz ensemble setting. This cymbal crashes beautifully and is articulate enough for big band settings. The small bell size(hi-bell) helps to create a focused tone when playing on the shoulder of the cymbal - increasing the playing surface area.
The hybrid lathing design of this cymbal has multiple functions: Partial lathing (raw-gold lathing) was used from the center of the cymbal to just above the shoulder in order to control high frequencies, and to provide a slightly thicker area of the shoulder to provide greater stick articulation. Wide and shallow lathing was used on the fully lathed portion of the cymbal to produce a balanced wash. There is a slight taper toward the edge of the cymbal. Playing on the fully lathed portion of the shoulder area will produce a beautiful wash and clear attack, while playing on the partially lathed portion of the shoulder will produce a noticeably stronger stick articulation and a more controlled wash.
Ideal for all genres, especially modern jazz, funk, soul, and world genres.
Great ride to turn into a sizzle. Contact if you are interested in ordering this cymbals with rivets.